We offer a range of drama workshops for schools: We have workshop content for GCSE, A level, Btec, highers & foundation and can gear workshops towards exam board criteria. let us know if you want an introduction or revision focused session and of any key areas you would like us to focus on. We also offer workshops for KS3.
We have workshops available for all of the following styles, practitioners, writers & plays.
We are happy to create a new workshop if your area, play, writer or practitioner isn't listed.
When you book tell us: Your exam board, level of study and style of workshop.
1 hr workshop=£75
2 hr workshop=£120
4 hr workshop=£150
6 hr workshop=£200
8 hr workshop=£250
Book us for one workshop or any number of short workshops within each timeframe. You can mix & match workshops & year groups.
E.g. we could deliver 3 x 2hr sessions in a six hour booking.
These are our rates for individual school bookings. With economy of scale we can offer cost effective block booking and touring rates to clusters, local authorities, arts organisations and for any other kind of multiple bookings.
All of our workshops are immersive, practice based featuring exercises & demonstrative activities and delivered by a professional director or actor who has full teaching qualifications.
We can combine any text with a practioner and use exercises & approaches taken by a particular practitioner to explore the study text. Chekhov and Stanislavski work well together for example.
Our textual approach involves active through-line work where we explore a practioner's history or create a mind-map of the play.
In one hour we can give students a drama experience and an insight into a text.
In two hours we can give a practical overview and explore key areas as an introduction
or for revision. In three to four hours we can conduct an in-depth study and use appropriate rehearsal techniques to let students learn by doing as if in the rehearsal room.
In six or eight hours we can workshop 'a play in a day' at actual rehearsal standard to really get to know the text, practitioner or study area. We think this is the best way to experience a play or the work of a practitioner if you can't be in a full production.